Svetlana Shuvaeva
Among the first works by Shuvaeva, presented to the general public, were the so-called Scans – prints on canvases, created... Read more →
This project involves artists from different generations, but the preponderance of – on the side of the young. I, as a supervisor, incredibly worried potential young generation of Russian artists. Sponsors of the exhibition project, have common language not only plastic, but also conceptual language that creates a situation common methodology. Most of the works presented at the exhibition are connected somehow with cheating the audience expectations. They do not show us something they thematizes itself perception system works, its functioning system.
The need to make this exhibition comes from the desire to show the trend. These works of art, in some way, organize the hidden possibilities of our time. They do not create a situation of initial recognition, it is impossible to treat this art instantly, digest, assimilate on the machine. They force us to interact with them intellectually, to comprehend our position in relation to them and their functions. The authors put us in an uncomfortable situation, it did not initially clear what to do with the other things we do not have such a form of interaction. New forms of cooperation designed to build alternative scenarios for the future. This is an attempt to develop new cultural codes through enhanced viewing position, using the works attempt to ask questions: how should function art today, why it is expected of him this?
In plastic product can not be figurative beginning, it is already part of the aesthetic canon. But even today can not be abstract exhibition, which is constructed as a piece of music. To this statement can be answered with the phrase: \”Nothing of the sort!\”